Fabriano Tiziano 20" x 26" 160gsm/75lb is acid free, archival quality, and made in Italy. This particular line of paper has a high cotton content, textured, highly lightfast, excellent surface marking and internal/external non-animal sizing. Artists at all skill levels, from the beginning students to the professional artist, will enjoy working with Fabriano Tiziano. Your art work will last for generations.

Available in White and 39 wonderful colors. Fabriano Tiziano Paper, features a woven textured grain (grain long). The high cotton content gives the Tiziano paper a soft feel, with a toothy texture, making it ideal for pastels, pencil, graphite and charcoal techniques.

This paper can also be used for other numerous type of art techniques: crayon, gouache, light washes, ink, tempera, air brush, watercolor techniques, art prints, letterpress, silkscreen printing and lithography.

Studio Watercolor 19 x 27, 200 gsm Cold-Press is made with a blend of high quality lignin-free cotton and cellulose. It is acid-free and has internal and external sizing making it ideal for absorbance.

It is a fantastic sheet for artists at all skill levels seeking high quality paper at a modest price. It is acid-free and has internal and external sizing, gives Fabriano Studio a good strength to withstand vigorous painting.

The quality & value of Fabriano Studio Paper is an exceptional offer, and appropriate for both the beginner and the student of fine arts

With these paper producing techniques it makes this line of paper perfect for multimedia techniques such as watercolor, tempera, gouache, acrylic, ink, drawing and markers.

Masa Bright White 21" x 31", 86 gsm (often referred to as affordable Hosho). Masa paper is a type of machine-made Japanese art paper made of sulphite pulp and is acid free. The texture of this paper has a toothy feel on one side and a smooth feel on the other. This paper is perfect for student grade projects and has internal sizing and should be slightly dampened prior to printing.

Masa paper is soft and white, has internal and surface sizing. Masa can be used for a wide range of art techniques, including sumi painting, watercolor, and printmaking. One side is smoother and shinier than the other. Sometimes masa paper is called rice paper, however it is made from sulphite pulp.

A popular technique with watercolor painters is to crumple up a sheet of masa paper, put it into a container of clean water for thirty seconds or so, straighten it out, and then drop some paint onto it while it's still wet. The Masa paper becomes a textured, and wrinkled paper, with random colors of the paint you dropped on it.

You can then flatten the sheet out, and leave it to dry. Be sure to mark which is the shiny side before you crumple the paper, so you can use the shiny side to flatten the sheet out.

Uses, art techniques, sumi painting, watercolor, and various types of printmaking,

Hahnemuhle Ingres Antique, 19" x 25" 100 gsm is mould-made in Germany and has 4 deckled edges with a neutral pH. This paper is made of 100% Alpha Cellulose and has a toothed finished with an even-laid formation.

The Hahnemühle mould-made Ingres papers, named after the famous French painter Jean Auguste Dominique Inges (1780-1867) are produced on a cylinder mould with deckled edges. Due to its fine-ribbed and toothed surface, this paper features a modest look. Ingres is perfectly suited for the dry drawing and painting techniques, such as pencil, chalks, pastel and red chalk. You may also used Hahnemuhle Ingres Antique paper in many printing techniques.

The individual sheets are deckle-edged on all four sides and available in 12 colors. They are not only well suited for drawing and painting but also for different printing techniques or the use as exclusive envelope or cover material.

Fabriano Vice Versa (Elle Erre) 20 x 27 220 gsm/ 135 lbs is a resilient heavyweight card stock paper. It is acid-free paper and produced with 100% ECF Cellulose Pulp that is FSC certified. This guarantees that the wood fibers come from forests managed according to strict environmental standards.

It has a high versatility allowing it to be used as fine art paper for offset printing, modeling, book art, scrapbooking, folders, greening cards, and crafts. It is enhanced by a uniquely double-sided surface.

An ample and vivacious range of colors. It lends itself to different uses because of its two surfaces, one rough, the other smooth, with these characteristics, Fabriano Vice Versa is suitable in particular for schools, graphic designers, poster artists and all graphic and technical paper uses.

The smooth bristol side is perfect for felt and marker pens while the lightly textured side accommodates all drawing and pastel applications. This resilient heavyweight paper allows it to be remarkable for rubbing and scratching abilities.

Rosaspina 20 x 27 220 gsm is excellent for all printmaking techniques and performs as well as 100% rag papers. This paper has 60% cotton content and lack of external sizing gives it a soft surface which is ideal for etching and aquatint. It is mould-made and acid-free with 2 deckle edges.

The sheet’s watermark runs parallel to the two smaller sides of the sheet and reproduces the Fabriano trademark and logo.

You can also use this paper for an upscale drawing paper.

Rosaspina comes in two colors, white and ivory.

A hidden jewel amongst printmaking papers, Rosaspina performs as well as 100% rag papers - excellent for all printmaking techniques, including etching, lithography and silk-screening.

Studio Watercolor Sheet 22 x 30, 300 gsm cold-press is made with a blend of high quality lignin-free cotton and cellulose. It is acid-free and has internal and external sizing making it ideal for absorbance.

Fabriano Studio Watercolor cold press is a blend of high quality lignin free cotton and cellulose. It has both internal and external sizing which makes it extremely absorbent.

It is a fantastic sheet for artists at all skill levels seeking high quality paper at a modest price. It is acid-free and has internal and external sizing, gives Fabriano Studio a good strength to withstand vigorous painting.

The quality & value of Fabriano Studio Paper is an exceptional offer, and appropriate for both the beginner and the student of fine arts.

With these paper producing techniques it makes this line of paper perfect for multimedia techniques such as watercolor, tempera, gouache, acrylic, ink, drawing and markers.

Tengucho 25 x 38, 10 gsm White is the thinnest paper made in Japan. This paper is primarily produced for conservation and restoration of documents. Tengucho paper can also be used for book covering. This paper is acid-free and machine made of pure kozo pulp with cut edges

Awagami Kitakata SH-16, 17 x 20, 36 gsm is made of 90% Gampi fiber and 10% high alpha cellulose. This Kitakata as a subtle gloss yet soft surface. It is warm-toned yet resilient and the sheet is rather dense making it ideal for many types of printmaking.

The Awagami Kitakata SH-16 has one silky smooth side, ideal for drawing, and a soft side ideal for many printmaking techniques.

This paper has natural deckle-edges on four sides, can comes in a natural color (eggshell). This Japanese Fine Art Paper has a delicate laid pattern on the soft side.

Philippine gampi is the main fiber for this paper that has a similar gloss to short-fibred 'mitsumata' paper. The paper is both dense and simultaneously glossy.

Ideal for printmaking, copperplate, serigraph, screen printing, letterpress, chine colle, and more.

Awagami Kitakata Green, a very soft hued green paper, 17 x 20, 36 gsm is made of 90% Gampi fiber and 10% alpha cellulose. This Kitakata has a subtle gloss yet soft surface. It is warmed-toned but yet resilient making the sheet rather dense.

The Awagani Kitakata Green papers are designed for screen printing or block printing. They have one side smooth, ideal for drawing, and one side soft and lightweight, with high absorbency and strength.

Kitakata Japanese Fine Art Paper is a go to paper for many types of printmaking art techniques, as it holds ink detail on its surface so well.

The Kitakata paper can also be used for other projects such as printmaking, screen printing, intaglio, drawing, calligraphy, and many other uses, depending on each individual artist needs and techniques.

Okawara Student Grade White, 18 x 25, 51 gsm this is acid free and handmade of kozo and hemp fibers with 4 deckle edges and a laid finish. Okawara Student Grade is a relative thick Japanese paper making it deal for book arts, printmaking, conservation and brush painting.

Hahnemuhle Biblio, #734, White, 31" x 42", grain direction short, 150 gsm is made in Germany using 100% Alpha Cellulose, watermarked, acid free, mouldmade and has 2 deckle edges.

Made in Germany by Hahnemuhle, very reasonably priced and great for larger editions.

You can use this paper for book arts, crafts, drawing,graphic design, invitations, pastel, printmaking, letterpress, printing, calligraphy, inkjet and laser.

Hahnemuhle Copperplate, 22" x 30" 300 gsm mould-made from Germany with 100% high alpha cellulose. It is neutral pH, chlorine/acid free with 4 natural deckled edges and medium textured surface. This paper has no surface sizing at all with very little internal sizing. This technique gives the paper a soft handle with fantastic absorbing qualities allowing it to need less soaking in preparation for printing.

You definitely do not need to soak this paper overnight, just simply misting or dampening with a wet blotter will suffice. This paper has the ability to take deep embossings without cracking around the plate edges and still dry flat after printing.

It has a watermark of an encircled rooster. This paper is ideal for all types of printmaking techniques. This paper is a less expensive mouldmade paper without compromising its deluxe appeal and performance on the press. It has been labeled as being the best copperplate printing paper in the market.

You can use this paper for all types of art techniques: hand lithography, intaglio, letterpress, offset, pastel & charcoal, silkscreen, stationery, etching, invitations, embossing and many other art projects.

Studio Watercolor 29 x 42, 300 gsm Cold-Press is made with a blend of high quality lignin-free cotton and cellulose. It is acid-free and has internal and external sizing making it ideal for absorbance.

With these paper producing techniques it makes this line of paper perfect for multimedia techniques such as watercolor, tempera, gouache, acrylic, ink, drawing and markers.

Fabriano Artistico 22 x 30 200 gsm has 2 deckle edges and comes in Hot-Press and Cold-Press. The Artistico watercolor line is worldwide known of watercolor paper and its unique beauty that has traditional Italian texture.

Fabriano Artistico is mould-made, 100% acid free rag cotton fiber, does not have optical whiteners, both internally sized and surface sized, with no animal by-products when produced, chlorine free. This is ideal for all wet media, calligraphy, lithography, digital, printing and etching.

Fabriano Artistico is recognized worldwide as the flagship of Fabriano watercolor papers. Each of its surfaces feature a unique beauty that ranges from traditional Italian texture and color to paper designed for the 21st century. Artistico cold press (grana fina) surface has a versatile and soft texture that is robust enough to handle lifting and scrubbing. The hot press (grana satinata) is the smoothest watercolor paper on the market and a favorite for precise digital printing. Rough (grana grossa) has an extraordinary, rugged texture recalling the finest handmade papers.

The Fabriano Artistico 200 gsm / 90 lb paper comes in Traditional White.

This paper is ideal for all wet media, as well as uses for, printmaking, calligraphy, lithography, digital printing, charcoal, drawing and etching.

Fabriano Artistico 22 x 30 430 gsm Cold-Press Extra White has 2 deckle edges. The Artistico watercolor line is worldwide known of watercolor paper and its unique beauty that has traditional Italian texture.

Fabriano Artistico is mould-made, 100% acid free rag cotton fiber, does not have optical whiteners, both internally sized and surface sized, with no animal by-products when produced, chlorine free. This is ideal for all wet media, calligraphy, lithography, digital, printing and etching.

Fabriano Artistico is recognized worldwide as the flagship of Fabriano watercolor papers. Each of its surfaces feature a unique beauty that ranges from traditional Italian texture and color to paper designed for the 21st century. Artistico cold press (grana fina) surface has a versatile and soft texture that is robust enough to handle lifting and scrubbing.

This paper is ideal for all wet media, as well as uses for, printmaking, calligraphy, lithography, digital printing, charcoal, drawing and etching.

Awagami Bunkoshi Select 17 x 20, 70 gsm is made of 30% Kozo and 70% Alpha Cellulose. This paper has a relative deep natural color and smooth surface.

This papers texture is classically Japanese Fine Art Paper. The Awagami Editioning papers are created with the rich history of over 300 years of washi papermaking. This paper is acid free, archival quality, featuring four feathery deckled edges.

It has no additional sizing which allows it to be ideal for printmaking, ink, drawing, and calligraphy art techniques.

Awagami Okawara Select 17 x 20, 51 gsm is made of 25% kozo and 75% high alpha cellulose.

This paper has four natural deckled edges. The paper is one of the finest Japanese papers available. Awagami uses purely natural materials, so there may be slight variations in the paper.

The Awagami Okawara Select paper has a warm natural color. This paper is of medium weight and has a subtle surface texture, on one side. Making the soft side ideal for various printmaking techniques. The other side is smooth, ideal for drawing with pencil and graphite.

The paper is very versatility and has an affordable price making Okawara an international standard for printmaking students. Using Oil based colors Okawara can be used with lithography, etching, silkscreen and woodcut. Using water based colors wood cut printmaking is recommended by Awagami.

Rosaspina 27 x 39 220 gsm is excellent for all printmaking techniques and performs as well as 100% rag papers. This paper has 60% cotton content and lack of external sizing gives it a soft surface which is ideal for etching and aquatint. It is mould-made and acid-free with 4 deckle edges.

Rosaspina is excellent for all printmaking and lacks external sizing giving it a soft surface which is ideal for etching and aquatint. This is mould-made with four deckled edges.
The sheet’s watermark runs parallel to the two smaller sides of the sheet and reproduces the Fabriano trademark and logo.

The Rosaspina comes in two colors, white or ivory.

You can also use this paper for an upscale drawing paper.

A hidden jewel amongst printmaking papers, Rosaspina performs as well as 100% rag papers - excellent for all printmaking techniques, including etching, lithography and silk-screening.

Awagami Chiri Natural 25 x 38, 40 gsm is known as one of the most essential papers in the Japanese art paper world. It is known for its tonal quality and varied textured features. This paper has 2 deckle edges, acid-free and machine-made of sulphite pulp. This paper contains dark kozo specks scattered across a natural-colored background.

You can use this paper for letterpress, digital printing, silkscreening, sumi-e and many decorative uses.

Awagami Shiramine Select 17x 20, 110 gsm is made from 30% kozo, 15% hemp and 55% High Alpha Cellulose. One side of the heavy paper is highly textured with a soft feel, the opposite side of the paper is smooth.

The paper has four naturally feathered deckled edges. This paper is off white in color. The textured side is used for printmaking applications, while the smooth side can be used for painting and drawing.

This fine art paper has a relative thickness and generous sizing which allows it to be a versatile paper for many art mediums including printmaking, painting and drawing.

Hahnemuhle Ingres Antique, #119, White, 31" x 41" 150gsm - is mould-made in Germany and has 4 deckled edges with neutral pH. The paper is made of 100% alpha Cellulose and has a toothed finish with an even-laid formation.

The Hahnemühle mould-made Ingres papers, named after the famous French painter Jean Auguste Dominique Inges (1780-1867) are produced on a cylinder mould with deckled edges. Due to its fine-ribbed and toothed surface, this paper features a modest look. Ingres is perfectly suited for the dry drawing and painting techniques, such as pencil, chalks, pastel and red chalk.

The Hahnemuhle Ingres Antique White, large sheets of paper, are not only well suited for drawing and painting but also for different printing techniques or the use as exclusive envelope or cover material.

Uses: Pastel, dry drawing and painting, such as pencil chalks and red chalk. You may also use this for printing techniques.

Hahnemuhle Bugra, 33" x 41", 130 gsm is a type of paper that is mouldmade. It is made in Germany by Hahnemuhle, with two genuine deckle and two straight edges, with 100% alpha cellulose, duo-surface paper. One side of Bugra has laid lines with a tooth like texture and the other side is smooth. It is acid free and age resistant, archival quality.

Awagami Kitakata Select 17 x 20, 90 gsm is made of 90% Gampi fiber and 10% high alpha cellulose.

The Awagami Kitakata Select is a Japanese Fine Art Paper in a natural cream color, with four deckle edges.

Kitakata Select is one of the Awagami Editioning paper, it is a heavier weight version of the original Kitakata Washi. This particular type of Kitakata, one side has a subtle gloss feel but has density and the other side is a soft surface.

This paper is great for many types of printmaking, especially for lithography, also the Kitakata Select can be used for block printing, screen printing and other art techiques.

Awagami Mulberry 33, 25 X 33, 45 gsm Off White is handmade from kozo and sulphite pulp and is acid-free. Mulberry paper, also known as Kozo paper, provides a luxurious foundation for many art, craft and design projects. The paper feathers beautifully when hand torn. Because mulberry paper has a neutral pH, it makes a wonderful art paper for long-lasting projects. It has a wide laid formation with 4 deckle edges.

Kozo, a type of mulberry, is the most commonly used fiber in making Japanese paper. The kozo branches are boiled and stripped of their outer bark, and then dried. The fibers are then boiled with lye to remove the starch, fat and tannin, and then placed in running water to remove the lye

Awagami Mulberry Paper is handmade from the inner fiber of the mulberry to produce an exceptionally pure, translucent paper, used by paper and painting conservators in repair and lamination. It is very strong, despite its light weight.

The uses are almost endless: collage, painting, scrapbooking, note cards, lamp shades, wedding invitations, and many, many more.

This papers strength, softness, flexibility make it the most versatile sheet for printers and printmakers.

Awagami Mulberry 33 is great for printing, silkscreen, hand lithography and book arts.

Fabriano Artistico 22 x 30 300 gsm has 2 deckle edges and comes in Hot-Press, Cold-Press and Soft Press. The Artistico watercolor line is worldwide known of watercolor paper and its unique beauty that has traditional Italian texture.

Fabriano Artistico is mould-made, 100% acid free rag cotton fiber, does not have optical whiteners, both internally sized and surface sized, with no animal by-products when produced, chlorine free. This is ideal for all wet media, calligraphy, lithography, digital, printing and etching.

Fabriano Artistico is recognized worldwide as the flagship of Fabriano watercolor papers. Each of its surfaces feature a unique beauty that ranges from traditional Italian texture and color to paper designed for the 21st century. Artistico cold press (grana fina) surface has a versatile and soft texture that is robust enough to handle lifting and scrubbing. The hot press (grana satinata) is the smoothest watercolor paper on the market and a favorite for precise digital printing. Soft press (grana dolce) is an exclusive surface recently created by Fabriano as a response to the techniques and aesthetic needs of artists today. Soft press’ luxurious texture lies between cold press and hot press, similar to the finest printmaking paper but with the durability of a strong watercolor paper.

This paper is ideal for all wet media, as well as uses for, printmaking, calligraphy, lithography, digital printing, charcoal, drawing and etching.

Awagami Kozo Natural Select 17 x 20, 46 gsm is crafted with 80% kozo and 20% high alpha cellulose. This paper is unique in its texture making it exceptionally strong but still rather flexible.

Due to this texture of paper it is suitable for numerous type of art projects such as intaglio, mixed media works, bookbinding and art restoration.

In addition the Awagami Kozo Natural Select may be used by artists for a wide range of techniques from ink to printmaking to drawing.

Rosaspina 27 x 39 285 g is excellent for all printmaking techniques and performs as well as 100% rag papers. This paper has 60% cotton content and lack of external sizing gives it a soft surface which is ideal for etching and aquatint. It is mould-made and acid-free with 4 deckle edges.

Rosaspina 285 gsm comes in two colors, white and ivory.

Rosaspina is excellent for all printmaking techniques. It lacks external sizing which gives it a soft surface making it ideal for etching and aquatint.
The sheet’s watermark runs parallel to the two smaller sides of the sheet and reproduces the Fabriano trademark and logo.

You can also use this paper for an upscale drawing paper.

A hidden jewel amongst printmaking papers, Rosaspina performs as well as 100% rag papers - excellent for all printmaking techniques, including etching, lithography and silk-screening.

Awagami Mulberry 38, 25 X 33, 45 gsm Off White is handmade from kozo and sulphite pulp and is acid-free. Mulberry paper, also known as Kozo paper, provides a luxurious foundation for many art, craft and design projects. The paper feathers beautifully when hand torn. Because mulberry paper has a neutral pH, it makes a wonderful art paper for long-lasting projects. It has a wide laid formation with 4 deckle edges.

Kozo, a type of mulberry, is the most commonly used fiber in making Japanese paper. The kozo branches are boiled and stripped of their outer bark, and then dried. The fibers are then boiled with lye to remove the starch, fat and tannin, and then placed in running water to remove the lye

Awagami Mulberry Paper is handmade from the inner fiber of the mulberry to produce an exceptionally pure, translucent paper, used by paper and painting conservators in repair and lamination. It is very strong, despite its light weight.

The uses are almost endless: collage, painting, scrapbooking, note cards, lamp shades, wedding invitations, and many, many more.

This papers strength, softness, flexibility make it the most versatile sheet for printers and printmakers.

Awagami Mulberry 38 is great for printing, silkscreen, hand lithography and book arts.

Kinwashi (also known as Ogura Natural) Cream 25 x 38, 30 gsm is machine-made in Japan from with manila hemp and kozo long swirling fibers. It has cut edges and the paper is lightweight yet durable with texture fibers on one side and smooth on the other side.

This paper is slightly lighter than Ginwashi which allows it to be used for many art projects. You can use this type of paper for any overlay application, lampshades, collages, shoji screens and book arts. It can also be used for stationary projects, printing, printmaking and many other artistic projects.