Hahnemuhle Ingres, 19" x 25" 100 gsm in 12 colors. Hahnemuhle Ingres also comes in White, 31" x 41" 150gsm and is mould-made in Germany and has 4 deckled edges with a neutral pH. This paper is made of 100% Alpha Cellulose and has a toothed finished with an even-laid formation.

The Hahnemühle mould-made Ingres papers, named after the famous French painter Jean Auguste Dominique Inges (1780-1867) are produced on a cylinder mould with deckled edges. Due to its fine-ribbed and toothed surface, this paper features a modest look. Ingres is perfectly suited for the dry drawing and painting techniques, such as pencil, chalks, pastel and red chalk. You may also used Hahnemuhle Ingres paper in many printing techniques.

The individual sheets are deckle-edged on all four sides and available in 12 colors in the 19" x 25" 100 gsm but comes in 31" x 41" 150 gsm in White. They are not only well suited for drawing and painting but also for different printing techniques or the use as exclusive envelope or cover material.

Hahnemuhle Bugra, 33" x 41", 130 gsm is a type of paper that is mouldmade. It is made in Germany by Hahnemuhle, with two genuine deckle and two straight edges, with 100% alpha cellulose, duo-surface paper. One side of Bugra has laid lines with a tooth like texture and the other side is smooth. It is acid free and age resistant, archival quality.

Hahnemuhle Copperplate, comes in 2 sizes 22" x 30" and 31" x 47" both with weights of 300 gsm. Copperplate is mould-made from Germany with 100% high alpha cellulose. It is neutral pH, chlorine/acid free with 4 natural deckled edges and medium textured surface. Copperplate has no surface sizing at all with very little internal sizing. This technique gives the paper a soft handle with fantastic absorbing qualities allowing it to need less soaking in preparation for printing.

You definitely do not need to soak this paper overnight, just simply misting or dampening with a wet blotter will suffice. This paper has the ability to take deep embossings without cracking around the plate edges and still dry flat after printing.

Hahnemuhle Copperplate has a watermark of their encircled Rooster. This paper is ideal for all types of printmaking techniques. Copperplate is a less expensive mouldmade paper without compromisiing its deluxe appeal and performance on the press.

You can use this paper for all types of art techniques: hand litho, intaglio, letterpress, offset, pastel & charcoal, silkscreen, stationery, etching, invitations, embossing and many other art projects.

• Hahnemuhle Copperplate 22" x 30" 300 gsm comes in three colors: Bright White #721, Extra Bright White #745 and Warm White #718.
• Hahnemuhle Copperplate 31" x 47" 300 gsm comes in two colors: Bright White #722 and Warm White #719.

Tengucho 25 x 38, 10 gsm White is the thinnest paper made in Japan. This paper is primarily produced for conservation and restoration of documents. Tengucho paper can also be used for book covering. This paper is acid-free and machine made of pure kozo pulp with cut edges

Masa 21" x 31", 86 gsm (often referred to as affordable Hosho). Masa paper is a type of machine-made Japanese art paper made of sulphite pulp and is acid free. The texture of this paper has a soft feel on one side and a smooth feel on the other. This paper is perfect for student grade projects and has internal sizing and should be slightly dampened prior to printing.

Masa paper is soft and white, has internal and surface sizing. Masa can be used for a wide range of art techniques, including sumi painting, watercolor, and printmaking. One side is smoother and shinier than the other. Sometimes masa paper is called rice paper, however it is made from sulphite pulp.

A popular technique with watercolor painters is to crumple up a sheet of masa paper, put it into a container of clean water for thirty seconds or so, straighten it out, and then drop some paint onto it while it's still wet. The Masa paper becomes a textured, and wrinkled paper, with random colors of the paint you dropped on it.

You can then flatten the sheet out, and leave it to dry. Be sure to mark which is the shiny side before you crumple the paper, so you can use the shiny side to flatten the sheet out.

Uses, art techniques, sumi painting, watercolor, and various types of printmaking,

Fabriano Murillo, Full Sheet Size 27" x 39", In addition Acuity offers half sheet Murillo 27" x 19" - Fabriano Murillo 360 gsm is a hefty card stock with neutral pH and acid free. The paper has a wove surface with trimmed edges and comes in many vibrant and popular colors.

Fabriano Murillo is a hefty card stock paper with trimmed edges and comes in many vibrant colors. This paper is both internally and externally sized with the heavy weight special texture it is well suited for printmaking. Many artist use it for Gouache.
Mouldmade in Italy of 15% cotton, 85% sulphite, neutral pH, internally and externally sized. This heavy 360 gram paper has a special texture. Well suited for book art as well as printmaking.

Many artist use Fabriano Murillo with the Gouache method guache, is one type of watermedia, paint consisting of pigment, water, a binding agent, and sometimes additional inert material. Gouache is designed to be used with opaque methods of painting.

Developed for graphic design and multimedia, Murillo’s unique blend of color, texture and thickness lends itself to any project where a paper’s rigidity is key.

Excellent for embossing, etching and drawing its internal sizing also allows for light water media and offset printing.

It is perfect for graphic design, modeling, multimedia, embossing, printmaking, pastel, book art, scrapbooking, etching, drawing, inks, colored pencils, graphite and pastels. Fabriano Murillo has internal sizing which allows for light water media and offset printing.

Fabriano Tiepolo comes in 3 sizes 19" x 27" 22" x 30" and 27" x 39" both weighing 290 gsm Soft White has 4 deckle edges and is mould-made with 100% acid free cotton paper with a beautiful watermark.

The 100% cotton paper is suitable for etching, lithography, wood-cuts and engravings as well as drawing and other fine art techniques.

In a traditional Italian soft white color this paper is versatile and strong for printmaking and can withstand the wear and tear of printmaking techniques.

It has a smooth surface and excels in all printmaking techniques, silk-screening, embossing and digital printing. You can also use this paper for drawing, loose watercolor washing and other fine art media projects.

Fabriano Rosaspina comes in 2 sizes 20" x 27" and 27" x 39". Rosaspina 20" x 27" comes in only one weight being 220 gsm but the 27" x 39" comes in 2 weights one 220 gsm and the other is 285 gsm. This paper is excellent for all printmaking techniques and performs as well as 100% rag papers. This paper has 60% cotton content and lack of external sizing gives it a soft surface which is ideal for etching and aquatint. It is mould-made and acid-free with 4 deckle edges.

All weights and sizes of Rosaspina come in two colors: white and ivory.

Rosaspina is excellent for all printmaking techniques. It lacks external sizing which gives it a soft surface making it ideal for etching and aquatint.
The sheet’s watermark runs parallel to the two smaller sides of the sheet and reproduces the Fabriano trademark and logo.

You can also use this paper for an upscale drawing paper.

A hidden jewel amongst printmaking papers, Rosaspina performs as well as 100% rag papers - excellent for all printmaking techniques, including etching, lithography and silk-screening.

Fabriano Studio Watercolor comes in several sizes, 9" x 12", 19" x 27", 22" x 30" and 29" x 42", each of these have different weights ranging from 200 gsm to 300 gsm. Studio Watercolor comes in hot-press and cold-press. It is made with a blend of high quality lignin-free cotton and cellulose. It is acid-free and has internal and external sizing making it ideal for absorbance.

Fabriano Studio Watercolor cold press is a blend of high quality lignin free cotton and cellulose. It has both internal and external sizing which makes it extremely absorbent.

It is a fantastic sheet for artists at all skill levels seeking high quality paper at a modest price. It is acid-free and has internal and external sizing, gives Fabriano Studio a good strength to withstand vigorous painting.

The quality & value of Fabriano Studio Paper is an exceptional offer, and appropriate for both the beginner and the student of fine arts.

With these paper producing techniques it makes this line of paper perfect for multimedia techniques such as watercolor, tempera, gouache, acrylic, ink, drawing and markers.

Hahnemuhle Biblio, #734, White, 31" x 42", grain direction short, 150 gsm is made in Germany using 100% Alpha Cellulose, watermarked, acid free, mouldmade and has 2 deckle edges.

Made in Germany by Hahnemuhle, very reasonably priced and great for larger editions.

You can use this paper for book arts, crafts, drawing,graphic design, invitations, pastel, printmaking, letterpress, printing, calligraphy, inkjet and laser.

Kinwashi (also known as Ogura Natural) comes in White or Cream 25 x 38, 30 gsm is machine-made in Japan from with manila hemp and kozo long swirling fibers. It has cut edges and the paper is lightweight yet durable with texture fibers on one side and smooth on the other side.

The Kinwashi White has small fibers and the Cream has long fibers throughout the paper.

This paper is slightly lighter than Ginwashi which allows it to be used for many art projects. You can use this type of paper for any overlay application, lampshades, collages, shoji screens and book arts. It can also be used for stationary projects, printing, printmaking and many other artistic projects.

Japanese handmade Chiri Natural 23 x 37, 37 gsm is known as one of the most essential papers in the Japanese art paper world. It is known for its tonal quality and varied textured features. This paper has 2 deckle edges, acid-free and machine-made of sulphite pulp. This paper contains dark kozo specks scattered across a natural-colored background.

You can use this paper for letterpress, digital printing, silkscreening, sumi-e and many decorative uses.

Okawara Student Grade White, 18 x 25, 51 gsm this is acid free and handmade of kozo and hemp fibers with 4 deckle edges and a laid finish. Okawara Student Grade is a relative thick Japanese paper making it deal for book arts, printmaking, conservation and brush painting.

Sekishu 24" x 39" is 35 gsm and white/cream. Sekishu is one of the oldest hand made papers in the world. It is made from Kozo, fibers and has a cream based white color. This paper has a feathered edge when water torn which allows it to blend with the paper which it is being mended.

It is used for hinging, mending and backing. Sekishu is unsized and a great choice for printing. You can also use this paper for book production, repair and restoration. Sekishu can be used for collage work, intaglio printmaking and painting.

Awagami Shiramine Select 17x 20, 110 gsm is made from 30% kozo, 15% hemp and 55% High Alpha Cellulose. One side of the heavy paper is highly textured with a soft feel, the opposite side of the paper is smooth.

The paper has four naturally feathered deckled edges. This paper is off white in color. The textured side is used for printmaking applications, while the smooth side can be used for painting and drawing.

This fine art paper has a relative thickness and generous sizing which allows it to be a versatile paper for many art mediums including printmaking, painting and drawing.

Awagami Kitakata SH-16, 17 x 20, 36 gsm is made of 90% Gampi fiber and 10% high alpha cellulose. This Kitakata as a subtle gloss yet soft surface. It is warm-toned yet resilient and the sheet is rather dense making it ideal for many types of printmaking.

The Awagami Kitakata SH-16 has one silky smooth side, ideal for drawing, and a soft side ideal for many printmaking techniques.

This paper has natural deckle-edges on four sides, and comes in a natural color (eggshell). This Japanese Fine Art Paper has a delicate laid pattern on the soft side.

Philippine gampi is the main fiber for this paper that has a similar gloss to short-fibred 'mitsumata' paper. The paper is both dense and simultaneously glossy.

Ideal for printmaking, copperplate, serigraph, screen printing, letterpress, chine colle, and more.

Awagami Kitakata Green, a very soft hued green paper, 17 x 20, 36 gsm is made of 90% Gampi fiber and 10% alpha cellulose. This Kitakata has a subtle gloss yet soft surface. It is warmed-toned but yet resilient making the sheet rather dense.

The Awagani Kitakata Green papers are designed for screen printing or block printing. They have one side smooth, ideal for drawing, and one side soft and lightweight, with high absorbency and strength.

Kitakata Japanese Fine Art Paper is a go to paper for many types of printmaking art techniques, as it holds ink detail on its surface so well.

The Kitakata paper can also be used for other projects such as printmaking, screen printing, intaglio, drawing, calligraphy, and many other uses, depending on each individual artist needs and techniques.

Awagami Kitakata Select 17 x 20, 90 gsm is made of 90% Gampi fiber and 10% high alpha cellulose.

The Awagami Kitakata Select is a Japanese Fine Art Paper in a natural cream color, with four deckle edges.

Kitakata Select is one of the Awagami Editioning paper, it is a heavier weight version of the original Kitakata Washi. This particular type of Kitakata, one side has a subtle gloss feel but has density and the other side is a soft surface.

This paper is great for many types of printmaking, especially for lithography, also the Kitakata Select can be used for block printing, screen printing and other art techiques.

Awagami Bunkoshi Select 17 x 20, 70 gsm is made of 30% Kozo and 70% Alpha Cellulose. This paper has a relative deep natural color and smooth surface.

This papers texture is classically Japanese Fine Art Paper. The Awagami Editioning papers are created with the rich history of over 300 years of washi papermaking. This paper is acid free, archival quality, featuring four feathery deckled edges.

It has no additional sizing which allows it to be ideal for printmaking, ink, drawing, and calligraphy art techniques.

Awagami Kozo Natural Select 17 x 20, 46 gsm is crafted with 80% kozo and 20% high alpha cellulose. This paper is unique in its texture making it exceptionally strong but still rather flexible.

Due to this texture of paper it is suitable for numerous type of art projects such as intaglio, mixed media works, bookbinding and art restoration.

In addition the Awagami Kozo Natural Select may be used by artists for a wide range of techniques from ink to printmaking to drawing.

Awagami Okawara Select 17 x 20, 51 gsm is made of 25% kozo and 75% high alpha cellulose.

This paper has four natural deckled edges. The paper is one of the finest Japanese papers available. Awagami uses purely natural materials, so there may be slight variations in the paper.

The Awagami Okawara Select paper has a warm natural color. This paper is of medium weight and has a subtle surface texture, on one side. Making the soft side ideal for various printmaking techniques. The other side is smooth, ideal for drawing with pencil and graphite.

The paper is very versatility and has an affordable price making Okawara an international standard for printmaking students. Using Oil based colors Okawara can be used with lithography, etching, silkscreen and woodcut. Using water based colors wood cut printmaking is recommended by Awagami.

Sekishu 24" x 39" is 35 gsm and white/cream. Sekishu is one of the oldest hand made papers in the world. It is made from Kozo, fibers and has a cream based white color. This paper has a feathered edge when water torn which allows it to blend with the paper which it is being mended.

It is used for hinging, mending and backing. Sekishu is unsized and a great choice for printing. You can also use this paper for book production, repair and restoration. Sekishu can be used for collage work, intaglio printmaking and painting.

Kozo 25" x 38" is 46 gsm and has a natural color. This paper is exceptionally strong for its weight and has long fiber deckled edges.

This paper can be used for a variety of different art projects: intaglio, mixed media works, bookbinding, restoration, drawing, painting and printmaking.

Sekishu 24" x 39" is 35 gsm comes in two different colors. Sekishu is one of the oldest hand made papers in the world. It is made from Kozo, fibers and has a cream based white color. This paper has a feathered edge when water torn which allows it to blend with the paper which it is being mended.

It is used for hinging, mending and backing. Sekishu is unsized and a great choice for printing. You can also use this paper for book production, repair and restoration. Sekishu can be used for collage work, intaglio printmaking and painting.

Sekishu 24" x 39" is 35 gsm comes in two different colors. Sekishu is one of the oldest hand made papers in the world. It is made from Kozo, fibers and has a cream based white color. This paper has a feathered edge when water torn which allows it to blend with the paper which it is being mended.

It is used for hinging, mending and backing. Sekishu is unsized and a great choice for printing. You can also use this paper for book production, repair and restoration. Sekishu can be used for collage work, intaglio printmaking and painting.

Awagami Editioning Papers Sample Pack consist of 2 sheets of 10 different Awagami papers. These sheets have been cut from the original full sheets: (Kitakata, Kitakata Green, Kitakata Select, Hosho Select, Bamboo Select, Shiramine Select, Kozo Natural Select, Okawara Select, Hakuho Select and Bunkoshi Select).

Each sheet is acid-free, archival and made with a strict attention to quality and preservation. These papers are used in many different art techniques from ink to printmaking to drawing. The full size of these papers have 4 feathery deckled edges that add a subtle refinement to finished works of art.

Awagami Mulberry 33 and 38, come in 2 sizes 25" X 33" and 25" x 38", 45 gsm Off White is handmade from kozo and sulphite pulp and is acid-free. Mulberry paper, also known as Kozo paper, provides a luxurious foundation for many art, craft and design projects. The paper feathers beautifully when hand torn. Because mulberry paper has a neutral pH, it makes a wonderful art paper for long-lasting projects. It has a wide laid formation with 4 deckle edges.

Kozo, a type of mulberry, is the most commonly used fiber in making Japanese paper. The kozo branches are boiled and stripped of their outer bark, and then dried. The fibers are then boiled with lye to remove the starch, fat and tannin, and then placed in running water to remove the lye

Awagami Mulberry Paper is handmade from the inner fiber of the mulberry to produce an exceptionally pure, translucent paper, used by paper and painting conservators in repair and lamination. It is very strong, despite its light weight.

The uses are almost endless: collage, painting, scrapbooking, note cards, lamp shades, wedding invitations, and many, many more.

This papers strength, softness, flexibility make it the most versatile sheet for printers and printmakers.

Awagami Mulberry is great for printing, silkscreen, hand lithography and book arts.

Fabriano Tiziano 20" x 26" 160gsm/75lb is acid free, archival quality, and made in Italy. This particular line of paper has a high cotton content, textured, highly lightfast, excellent surface marking and internal/external non-animal sizing. Artists at all skill levels, from the beginning students to the professional artist, will enjoy working with Fabriano Tiziano. Your art work will last for generations.

Available in White and 39 wonderful colors. Fabriano Tiziano Paper, features a woven textured grain (grain long). The high cotton content gives the Tiziano paper a soft feel, with a toothy texture, making it ideal for pastels, pencil, graphite and charcoal techniques.

This paper can also be used for other numerous type of art techniques: crayon, gouache, light washes, ink, tempera, air brush, watercolor techniques, art prints, letterpress, silkscreen printing and lithography.

Fabriano Vice Versa (Elle Erre) 20 x 27 220 gsm/ 135 lbs is a resilient heavyweight card stock paper. It is acid-free paper and produced with 100% ECF Cellulose Pulp that is FSC certified. This guarantees that the wood fibers come from forests managed according to strict environmental standards.

It has a high versatility allowing it to be used as fine art paper for offset printing, modeling, book art, scrapbooking, folders, greening cards, and crafts. It is enhanced by a uniquely double-sided surface.

An ample and vivacious range of colors. It lends itself to different uses because of its two surfaces, one rough, the other smooth, with these characteristics, Fabriano Vice Versa is suitable in particular for schools, graphic designers, poster artists and all graphic and technical paper uses.

The smooth bristol side is perfect for felt and marker pens while the lightly textured side accommodates all drawing and pastel applications. This resilient heavyweight paper allows it to be remarkable for rubbing and scratching abilities.